LOUISE-MICHEL
3/10
The plot to this comedy sounded good - the story of a group of women who pool their redundancy payouts to hire a hitman to kill their ex-boss. However the style of comedy was one that for me just annoyed. I walked out after about 30 minutes, not seeing the humour in it at all.
THE HURT LOCKER
8/10
I was a little unsure about whether this film would be worthwhile. I've seen a couple of films about the Iraq war, and generally never been entirely enthralled with them. However, The Hurt Locker was an excellently made film which was a festival highlight. It's about a unit in Iraq that dedicates itself to investigating potential bombings, and where possible defusing them before they explode. It really sucks you in, and makes you feel like you're there, experiencing the pressure with the characters. Good stuff.
DEAD SNOW
8/10
I'm not really a fan of Zombie films, but I can say of the ones I've seen, this is probably my favourite. Mind you, I've not seen any Romero ones, nor the Evil Deads. I'm not much of a horror film goer. This is a gruesome comedy about a bunch of young Norwegians who go up to an isolated cabin in the mountains for a ski weekend. All the cliches are ticked here, including the old man who frightens them on their first evening and then goes on to tell them about the dark presence in the woods. Turns out that a bunch of Nazis never quite died, and are still pretty upset. Lots of blood splattering and spilling of intestines, but overall a good balance of laughs that leaves you happily entertained.
CHOCOLATE
Review to come
Tuesday, August 11, 2009
Monday, August 10, 2009
Thursday August 6 2009
FOOD, INC.
5/10
Sorry Food Inc, but you were the straw that broke this camel's back. During this film, I wanted to yell at the screen, which I suppose is a good thing in that it's inciting a strong reaction in a viewer, but for me, I was doing so in disappointment of an opportunity lost. I think there's a real story to be told here about the food industry, but I'm so tired of having documentaries that effectively come across as a liberal/left wing version of an 'A Current Affair' type story. It shouldn't be necessary to do this in order to get their point across, but in Food Inc they really try and ram it down your throat.
For example, in one part of the film, they show us the story of a hispanic family who apparently can't afford to buy decent food and are forced to eat $1 hamburgers at McDonalds. They show a scene of them wandering like they're lost around a supermarket with comments along the lines of 'Broccoli for $1.19? We can't afford that!'. Are you eff star star kay eye en gee kidding me? Add to this, the father has diabetes at least in part because he eats so much junk food, which then costs the family hundreds of dollars in medicine.
They also found a mother whose son died from ecoli poisoning. As a father, it horrifies me to think of losing my child so I have total sympathy for her and her loss, but it came across as just another desperate measure to convince us in a direction that didn't need such drama. A slight case of overbombing.
Oh yeah, and in the beginning of the film, we're told that four multi-national corporations dominate the US food industy, but this information is presented, as if we're meant to spit, based on those facts alone. Maybe we ought to be, but a) I don't think that being a multinational corporation immediately means you're an organisation with poor ethics, and b) splitting a large industry between four companies sounds a whole lot better than what's been going on with the computer software industry for years...
I'm not a right wing thinker, but this documentary is so biased in its presentation that even I wanted to reject it as overdone. That said, there are points that still stand true - corporations respond to demand. If consumers demand to know where their food comes from, and start making better choices, such as purchasing organic produce and meat from farms that respect the animals (at least prior to slaughter) then we can change things. I know that I'll be doing some research into milk now to see exactly what the difference is between the Puras and the Organic options, and also into the meat I buy when I do. (yeah, sorry, I'd love to be vegetarian, but bacon tastes too good).
BLACK DYNAMITE
9/10
And on the a lighter side of the film, we have Black Dynamite, a brain-resting comedy that is one of my highlights for the festival. Like 'The Lost Skeleton of Cadavra' from MIFF 2004, which was a glorious and hilarious tribute to b-grade 1950s sci-fi flicks, Black Dynamite nods towards the Blaxploitation films of the 1970s. I've not seen (m)any blaxploitation films, but you don't need to know the genre inside out to have a ball. It's about a real badass guy named Black Dynamite who is on a mission to find out who killed his brother and why. Set design is great, and the send-ups are done to perfection. I can't wait to see it again when my brain needs a rest. Champagne comedy! Or, should I say 'Anaconda, oooooooooh Comedy'?
IN THE LOOP
8/10
Based around the UK comedy 'The Thick Of It', (which apparently may be getting re-made into a US show soon), this political comedy was another highlight for me. Fast talking and quick-paced, it follows the story of a British minister who as a result of a botched radio interview, winds up becoming involved in talks between the US and the UK about invading Iraq. Peter Capaldi steals the show with his character, a foul mouthed Scot who doesn't take shit from anyone. A real role model for us all :). If you think you'd like the result of mixing The Office, The West Wing and Yes Minister into one show, don't miss it.
5/10
Sorry Food Inc, but you were the straw that broke this camel's back. During this film, I wanted to yell at the screen, which I suppose is a good thing in that it's inciting a strong reaction in a viewer, but for me, I was doing so in disappointment of an opportunity lost. I think there's a real story to be told here about the food industry, but I'm so tired of having documentaries that effectively come across as a liberal/left wing version of an 'A Current Affair' type story. It shouldn't be necessary to do this in order to get their point across, but in Food Inc they really try and ram it down your throat.
For example, in one part of the film, they show us the story of a hispanic family who apparently can't afford to buy decent food and are forced to eat $1 hamburgers at McDonalds. They show a scene of them wandering like they're lost around a supermarket with comments along the lines of 'Broccoli for $1.19? We can't afford that!'. Are you eff star star kay eye en gee kidding me? Add to this, the father has diabetes at least in part because he eats so much junk food, which then costs the family hundreds of dollars in medicine.
They also found a mother whose son died from ecoli poisoning. As a father, it horrifies me to think of losing my child so I have total sympathy for her and her loss, but it came across as just another desperate measure to convince us in a direction that didn't need such drama. A slight case of overbombing.
Oh yeah, and in the beginning of the film, we're told that four multi-national corporations dominate the US food industy, but this information is presented, as if we're meant to spit, based on those facts alone. Maybe we ought to be, but a) I don't think that being a multinational corporation immediately means you're an organisation with poor ethics, and b) splitting a large industry between four companies sounds a whole lot better than what's been going on with the computer software industry for years...
I'm not a right wing thinker, but this documentary is so biased in its presentation that even I wanted to reject it as overdone. That said, there are points that still stand true - corporations respond to demand. If consumers demand to know where their food comes from, and start making better choices, such as purchasing organic produce and meat from farms that respect the animals (at least prior to slaughter) then we can change things. I know that I'll be doing some research into milk now to see exactly what the difference is between the Puras and the Organic options, and also into the meat I buy when I do. (yeah, sorry, I'd love to be vegetarian, but bacon tastes too good).
BLACK DYNAMITE
9/10
And on the a lighter side of the film, we have Black Dynamite, a brain-resting comedy that is one of my highlights for the festival. Like 'The Lost Skeleton of Cadavra' from MIFF 2004, which was a glorious and hilarious tribute to b-grade 1950s sci-fi flicks, Black Dynamite nods towards the Blaxploitation films of the 1970s. I've not seen (m)any blaxploitation films, but you don't need to know the genre inside out to have a ball. It's about a real badass guy named Black Dynamite who is on a mission to find out who killed his brother and why. Set design is great, and the send-ups are done to perfection. I can't wait to see it again when my brain needs a rest. Champagne comedy! Or, should I say 'Anaconda, oooooooooh Comedy'?
IN THE LOOP
8/10
Based around the UK comedy 'The Thick Of It', (which apparently may be getting re-made into a US show soon), this political comedy was another highlight for me. Fast talking and quick-paced, it follows the story of a British minister who as a result of a botched radio interview, winds up becoming involved in talks between the US and the UK about invading Iraq. Peter Capaldi steals the show with his character, a foul mouthed Scot who doesn't take shit from anyone. A real role model for us all :). If you think you'd like the result of mixing The Office, The West Wing and Yes Minister into one show, don't miss it.
Tuesday August 4 2009
THE EXPLODING GIRL
7.5/10
When I booked this session, I wondered to myself whether the name of this film was a nod to The Cure's b-side 'The Exploding Boy'. I'm still not sure where the reference comes from, but this film was great in a low-key way. It's about a girl who returns home to New York City from college for her summer break. She catches up with a (male) friend who she's known for years, and the film goes on to show what they get up to. The story progresses as she has intermittent and somewhat awkward phone conversations with her boyfriend who is in his own hometown. A lot of it feels ad-libbed and the pacing is fairly languid, but there's enough story to make it enjoyable. Imagine Mutual Appreciation, Funny Ha Ha or Wendy & Lucy (all shown at previous years of MIFF), but done right. The lead actress looks a little like Zooey Deschanel and looked really familiar, but wasn't someone I'd seen before.
35 SHOTS OF RUM
6/10
A French film about a father who works on the railway. After his long days at work, he returns home to his adult daughter that shares his apartment. As the story unfolds, we find out more about the neighbours in their block and thus this 'slice of life' story goes. It was a nicely done film, but seemed a little unsure of what it was trying to say.
ART & COPY
5/10
A documentary about advertising which in itself was pretty much an advertisement for the advertising industry. In this film the subjects try to claim some credibility, suggesting that they're helping the population and can hit levels of near-art (if not art itself) in their work. It was very well put together, and quite interesting, but ultimately the reality for me is that for every 'good' advert or billboard there are thousands of shite ones. I'd agree that for example that the iPod billboards are visually great and near-art, but we're still stuck with erectile dysfunction ones. Worth a watch if it comes on TV.
Monday August 3 2009
TONIGHT OR NEVER
7/10
My 'n'th film of the festival that stars Anna Karina, and admittedly, my favourite so far. This was the first starring role that Anna had which wasn't directed by Godard. As always Anna Karina looked great :). It's set in an apartment over one evening where a small party is held amongst a few friends, and the conversations that take place. In parts happy, others sad, others angry. It floats by but has enough plot to keep you watching. The print wasn't very good quality, but I'm glad I caught it.
7/10
My 'n'th film of the festival that stars Anna Karina, and admittedly, my favourite so far. This was the first starring role that Anna had which wasn't directed by Godard. As always Anna Karina looked great :). It's set in an apartment over one evening where a small party is held amongst a few friends, and the conversations that take place. In parts happy, others sad, others angry. It floats by but has enough plot to keep you watching. The print wasn't very good quality, but I'm glad I caught it.
Sunday August 2 2009
LETTER TO A CHILD
7/10
A Slovenian documentary (of sorts) about the various phases of life. It starts with an interview with children at a primary school, and then continues through interviews with people from older and older phases of life; some teenagers, then a young family, then a family whose children were much older, and so on, ending with a man who I would suspect was around 100. Interspersed throughout, the filmmaker 'writes a letter' expressing his own thoughts on life. It was interesting, from a perspective of finding out how different age groups define what's important in their lives, and the lessons to be learned. Easily recommended if it comes on TV, but I wouldn't suggest it as a necessity in the cinema.
FLAME & CITRON
7/10
This film is based on a true story of two Danish friends who formed part of the resistance against the Nazi invasion of Denmark in World War II. They're given tasks by their superior to kill off key targets of the local Danish nazi sympathisers, but conflicts of interest on all sides mean that everything isn't as black and white as it might otherwise seem. Well made film, that is a little slow at points, but enjoyable nonetheless. Mads Mikkelsen (as seen in After the Wedding at MIFF previously, and also in Casino Royale) does another fantastic job in his role as Citron.
7/10
A Slovenian documentary (of sorts) about the various phases of life. It starts with an interview with children at a primary school, and then continues through interviews with people from older and older phases of life; some teenagers, then a young family, then a family whose children were much older, and so on, ending with a man who I would suspect was around 100. Interspersed throughout, the filmmaker 'writes a letter' expressing his own thoughts on life. It was interesting, from a perspective of finding out how different age groups define what's important in their lives, and the lessons to be learned. Easily recommended if it comes on TV, but I wouldn't suggest it as a necessity in the cinema.
FLAME & CITRON
7/10
This film is based on a true story of two Danish friends who formed part of the resistance against the Nazi invasion of Denmark in World War II. They're given tasks by their superior to kill off key targets of the local Danish nazi sympathisers, but conflicts of interest on all sides mean that everything isn't as black and white as it might otherwise seem. Well made film, that is a little slow at points, but enjoyable nonetheless. Mads Mikkelsen (as seen in After the Wedding at MIFF previously, and also in Casino Royale) does another fantastic job in his role as Citron.
Saturday, August 1, 2009
Saturday August 1 2009
LOVE EXPOSURE
5/10
I've always thought that Japanese culture is about as alien as you could find compared to that of the West, and this film couldn't come from anywhere else. It's a four hour marathon that amongst other plot points includes a Japanese boy who is trying to find a girl that is his 'virgin mary' by using martial arts moves to take upskirt photos of girls. Add priests, cults, cross dressing and the severing of at least one penis, and there you go. I walked at the 2.5 hour point having had my fill, believing that I'd seen as much as was needed. After consulting with a couple of others who made it through to the end, it appears that I was right :).
AMREEKA
7/10
A fish out of water story about a mother and teenage son who move to America from Palestine. It's a comedy/drama and never hits an extremely serious or overly dramatic note, but does provide some nice greys in the characters. For example, even the school principal makes mistaken generalisations about the mother, despite his best intentions.
AN EDUCATION
7/10
A highly polished film set in 1960s London. I wanted to see this mainly because the screenplay was done by Nick Hornby, and in my opinion, he's done some great books (High Fidelity, Fever Pitch) amongst some duds (How to Be Good). The story centres around a young girl in her last year of high school who has plans to go to Oxford. She begins to question these plans when meeting a playboy roughly twice her age who introduces her to a world of art and culture, which up to then, she'd only experience through books. I had a couple of problems with believability of some of the plot points, but overall enjoyed it. If you liked the Gilmore Girls, you may enjoy it, too. An intro and Q&A was done by the star actress, Carey Mulligan, and credit must go to her for one of the most articulate and to-the-point introductions I've seen at the festival.
5/10
I've always thought that Japanese culture is about as alien as you could find compared to that of the West, and this film couldn't come from anywhere else. It's a four hour marathon that amongst other plot points includes a Japanese boy who is trying to find a girl that is his 'virgin mary' by using martial arts moves to take upskirt photos of girls. Add priests, cults, cross dressing and the severing of at least one penis, and there you go. I walked at the 2.5 hour point having had my fill, believing that I'd seen as much as was needed. After consulting with a couple of others who made it through to the end, it appears that I was right :).
AMREEKA
7/10
A fish out of water story about a mother and teenage son who move to America from Palestine. It's a comedy/drama and never hits an extremely serious or overly dramatic note, but does provide some nice greys in the characters. For example, even the school principal makes mistaken generalisations about the mother, despite his best intentions.
AN EDUCATION
7/10
A highly polished film set in 1960s London. I wanted to see this mainly because the screenplay was done by Nick Hornby, and in my opinion, he's done some great books (High Fidelity, Fever Pitch) amongst some duds (How to Be Good). The story centres around a young girl in her last year of high school who has plans to go to Oxford. She begins to question these plans when meeting a playboy roughly twice her age who introduces her to a world of art and culture, which up to then, she'd only experience through books. I had a couple of problems with believability of some of the plot points, but overall enjoyed it. If you liked the Gilmore Girls, you may enjoy it, too. An intro and Q&A was done by the star actress, Carey Mulligan, and credit must go to her for one of the most articulate and to-the-point introductions I've seen at the festival.
Friday July 31 2009
IT MIGHT GET LOUD
5/10
Documentary from the producers of An Inconvenient Truth. It's about the love of guitars, told from the point of view of three generations of guitarists; Jimmy Page from Led Zeppelin, The Edge from U2 and Jack White from The White Stripes. Time is spent talking to each artist separately to discover a bit about their background, and also spent in a warehouse where the three artists meet to discuss guitars, music, etc. Unfortunately, the whole thing doesn't really work very well. You get the feeling that there's a degree of respect for each other amongst the three musicians, but at the same time, they each have their views on the world, and they're all different. I think it would have worked better as a four part tv series, where one episode was spent with each of the three guitarists and the fourth was made up of the artists meeting and discussing music with each other. I like all three bands to some degree - enough to have CDs by each, but not enough to be a major fan of any. If you're a big fan of any of the three, you might get more out of this than I did.
5/10
Documentary from the producers of An Inconvenient Truth. It's about the love of guitars, told from the point of view of three generations of guitarists; Jimmy Page from Led Zeppelin, The Edge from U2 and Jack White from The White Stripes. Time is spent talking to each artist separately to discover a bit about their background, and also spent in a warehouse where the three artists meet to discuss guitars, music, etc. Unfortunately, the whole thing doesn't really work very well. You get the feeling that there's a degree of respect for each other amongst the three musicians, but at the same time, they each have their views on the world, and they're all different. I think it would have worked better as a four part tv series, where one episode was spent with each of the three guitarists and the fourth was made up of the artists meeting and discussing music with each other. I like all three bands to some degree - enough to have CDs by each, but not enough to be a major fan of any. If you're a big fan of any of the three, you might get more out of this than I did.
Thursday July 30
One of my marathon days at the festival!
PARDON MY FRENCH
4/10
Well acted story about an author with writers block and a school girl fan who is obsessed enough with her to try and assist her in any way possible. Unfortunately it didn't seem to have any direction, and the author spent the film wandering around in her self-centred world while being pandered to by those around her. Not worth the time.
I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE
6/10
I'm into technology and I'm into music. As someone who has spent waaay too much on records and CDs in the past 20 years, and watched with interest how the independent record stores struggle to survive. They're competing with the Internet (both for online ordering and online music distribution, both legal and illegal) and major record companies who clutch to extinct models for doing business as long as they can. This documentary gets full marks for trying and half marks for execution. While it was interesting to see the point of view from record shop owners who were closing down for one reason or another, I didn't really feel that all sides of the story were explored. We heard a lot of musicians and record shops bitching about the majors, but never did we get to hear the opinion of someone from a major. Furthermore, the cause of closure of one of the shops was a landlord who'd booted them. We never got to hear why they didn't just re-open somewhere else. Some arguments were flawed too I think - they were arguing how 'big box stores' like walmart only carry rubbish music, not a full range, but then go one to complain how the big box stores sell CDs at below cost. The idea of an independent record store being a community type experience is fair, but I don't think it just applies to music. Finally, the quality of this film was not cinema-grade. Hopefully they'll show it on TV soon, but I wouldn't recommend spending the money seeing it at a theatre. I've not been there yet, but as I departed the theatre staff from Sunshine and Grease, a record shop at 117 Little Bourke St were handing out flyers, so go check them out. And buy the music you love, in whatever media type and style you happen to choose.
AWAY WE GO
9/10
Ken Loach was a massive whiney sook and pulled his film from MIFF for political reasons, not before he agreed for it to be shown at MIFF. Nor was it before the guide was printed or tickets on sale. Nope, it wasn't even pulled before before both sessions of his film sold out. That's right, he waited until after all that before deciding to go all Sting on us. This is for you, Mr. Loach.
Anyway, the silver lining was that Away We Go was the replacement film for the session, and is my favourite of the festival (though MOON was still great!). This Sam Mendes film was the replacement for Ken Loach's film, and tells the story of a young couple who are expecting their first child. When they realise that they have no reason to stay where they're living, they decide to set out on a trek to find a better home to raise their unborn child. Along the way, they meet with various friends/family/ex-co-workers, and get a good dosage of the range of philosophies and beliefs parents choose to raise their children by. It's often hilarious and always entertaining. With a slightly different ending, I'd give it 10/10.
TREELESS MOUNTAIN
7/10
Cute Korean film about two young girls who are being raised by their mother. The father has been out of the picture for some time, and when the mother decides she needs to go and find him, she leaves the girls with family. She gives the girls a piggy bank and says that if they're good, they'll be given a coin each to put in the bank, and promises she'll return when the bank is full. The film takes on the perspective of life from the girls' point of view and offers many different slices of Korean life as the film unfolds.
PARDON MY FRENCH
4/10
Well acted story about an author with writers block and a school girl fan who is obsessed enough with her to try and assist her in any way possible. Unfortunately it didn't seem to have any direction, and the author spent the film wandering around in her self-centred world while being pandered to by those around her. Not worth the time.
I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE
6/10
I'm into technology and I'm into music. As someone who has spent waaay too much on records and CDs in the past 20 years, and watched with interest how the independent record stores struggle to survive. They're competing with the Internet (both for online ordering and online music distribution, both legal and illegal) and major record companies who clutch to extinct models for doing business as long as they can. This documentary gets full marks for trying and half marks for execution. While it was interesting to see the point of view from record shop owners who were closing down for one reason or another, I didn't really feel that all sides of the story were explored. We heard a lot of musicians and record shops bitching about the majors, but never did we get to hear the opinion of someone from a major. Furthermore, the cause of closure of one of the shops was a landlord who'd booted them. We never got to hear why they didn't just re-open somewhere else. Some arguments were flawed too I think - they were arguing how 'big box stores' like walmart only carry rubbish music, not a full range, but then go one to complain how the big box stores sell CDs at below cost. The idea of an independent record store being a community type experience is fair, but I don't think it just applies to music. Finally, the quality of this film was not cinema-grade. Hopefully they'll show it on TV soon, but I wouldn't recommend spending the money seeing it at a theatre. I've not been there yet, but as I departed the theatre staff from Sunshine and Grease, a record shop at 117 Little Bourke St were handing out flyers, so go check them out. And buy the music you love, in whatever media type and style you happen to choose.
AWAY WE GO
9/10
Ken Loach was a massive whiney sook and pulled his film from MIFF for political reasons, not before he agreed for it to be shown at MIFF. Nor was it before the guide was printed or tickets on sale. Nope, it wasn't even pulled before before both sessions of his film sold out. That's right, he waited until after all that before deciding to go all Sting on us. This is for you, Mr. Loach.
Anyway, the silver lining was that Away We Go was the replacement film for the session, and is my favourite of the festival (though MOON was still great!). This Sam Mendes film was the replacement for Ken Loach's film, and tells the story of a young couple who are expecting their first child. When they realise that they have no reason to stay where they're living, they decide to set out on a trek to find a better home to raise their unborn child. Along the way, they meet with various friends/family/ex-co-workers, and get a good dosage of the range of philosophies and beliefs parents choose to raise their children by. It's often hilarious and always entertaining. With a slightly different ending, I'd give it 10/10.
TREELESS MOUNTAIN
7/10
Cute Korean film about two young girls who are being raised by their mother. The father has been out of the picture for some time, and when the mother decides she needs to go and find him, she leaves the girls with family. She gives the girls a piggy bank and says that if they're good, they'll be given a coin each to put in the bank, and promises she'll return when the bank is full. The film takes on the perspective of life from the girls' point of view and offers many different slices of Korean life as the film unfolds.
Wednesday July 29 2009
STILL WALKING
7/10
A family drama from Japan that was very well written and enjoyable. It was a good representation of family and the dynamics that can occur when a family who doesn't spend a lot of time together gather for a meal. This can apparently be bought on DVD quite cheaply (around $15), and is worth considering.
7/10
A family drama from Japan that was very well written and enjoyable. It was a good representation of family and the dynamics that can occur when a family who doesn't spend a lot of time together gather for a meal. This can apparently be bought on DVD quite cheaply (around $15), and is worth considering.
Tuesday July 28 2009
KISSES
7/10
Cute story about a couple of pre-teen Irish kids whose home lives aren't going so well. When the boy angers his father enough and the girl finds a bit of cash, they run away to Dublin. The film was fun and enjoyable - some of the accents were very thick and I missed some of the lines as a result. I might not have wanted subtitles throughout, but it would have helped in parts.
THE GIRLFRIEND EXPERIENCE
5/10
Watchable low-ish budget film by Steven Soderbergh about a high class call girl. Didn't really go anywhere and the acting was very patchy by some of the stars, who generally were non-professionals as far as I can tell. Many scenes felt ad-libbed, but not very successfully.
7/10
Cute story about a couple of pre-teen Irish kids whose home lives aren't going so well. When the boy angers his father enough and the girl finds a bit of cash, they run away to Dublin. The film was fun and enjoyable - some of the accents were very thick and I missed some of the lines as a result. I might not have wanted subtitles throughout, but it would have helped in parts.
THE GIRLFRIEND EXPERIENCE
5/10
Watchable low-ish budget film by Steven Soderbergh about a high class call girl. Didn't really go anywhere and the acting was very patchy by some of the stars, who generally were non-professionals as far as I can tell. Many scenes felt ad-libbed, but not very successfully.
Monday July 27 2009
Gotten an attack of the lazies, and haven't updated the blog with my film comments for nearly a week. Let's hope I remember enough about them..
PIERROT LE FOU
4/10
I believe this Godard film starring Anna Karina and Jean-Paul Belmondo film had more going for it than I was able to pick up - parts were entertaining, but a lot of it went over my head. I suspect based on discussion with others later that there was a lot of symbolism being used that went over my head. As with the other two films, it was enjoyable to watch, but without really getting a good grip on the story, it wasn't my best festival experience
MOON
9/10
Best of the festival so far. This is science fiction done right with awesome sets, excellent acting and a good story. If you like the first half of 'Sunshine' before it turned stupid, or a fan of films like Silent Running, this is a must see.
WHITE NIGHT WEDDING
5/10
This was one of Iceland's biggest films of 2008 apparently. I'm unsure how many films are made there each year, but while this tale of Jon, a university professor's days leading up to his wedding had enough to keep me seated, it lacked enough to keep me happy. I was a little confused at first as with the jumping timeline, and telling the story of the two loves of Jon's life with actresses that didn't look entirely dissimilar, I didn't realise they were different women until about 20 minutes in. Jon wasn't really a likable protagonist and this let the film down for me.
PIERROT LE FOU
4/10
I believe this Godard film starring Anna Karina and Jean-Paul Belmondo film had more going for it than I was able to pick up - parts were entertaining, but a lot of it went over my head. I suspect based on discussion with others later that there was a lot of symbolism being used that went over my head. As with the other two films, it was enjoyable to watch, but without really getting a good grip on the story, it wasn't my best festival experience
MOON
9/10
Best of the festival so far. This is science fiction done right with awesome sets, excellent acting and a good story. If you like the first half of 'Sunshine' before it turned stupid, or a fan of films like Silent Running, this is a must see.
WHITE NIGHT WEDDING
5/10
This was one of Iceland's biggest films of 2008 apparently. I'm unsure how many films are made there each year, but while this tale of Jon, a university professor's days leading up to his wedding had enough to keep me seated, it lacked enough to keep me happy. I was a little confused at first as with the jumping timeline, and telling the story of the two loves of Jon's life with actresses that didn't look entirely dissimilar, I didn't realise they were different women until about 20 minutes in. Jon wasn't really a likable protagonist and this let the film down for me.
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